The International Arts Centre, Garden Street, Leicester
Location: The International Arts Centre, Garden Street, Leicester
Price: £180 for the full course + 2 x £100 reduced fee places for single-parent writers, or writers in receipt of a means tested benefit, personal independence payments, or disability living allowance (please contact email@example.com for more information)
Attendees must pay for full course – individual course units not available separately.
Dates: Six workshops are held over a 6 month period, on the first Wednesday of the month, to enable you to complete writing assignments:
Tickets can be purchased from Becca Parkinson, to register your place please contact her on firstname.lastname@example.org
This course is about the short story …
Over the course of 6 workshops, you’ll get a handle on the predominant narrative structures used by short story writers, and implement them in your own work. Completing set writing tasks between workshops, and receiving structured, peer-driven feedback, you’ll develop 3 short stories to completion, with tailored advice on how to shape the story, and how to improve the characterisation, dialogue, and narrative voice. Comma Press, one of the UK’s leading publishers of short fiction is always looking for new voices in short fiction and our courses have a strong history of producing prize-winning short story talent.
What you need to be familiar with …
You don’t necessarily need any practical experience of writing stories, nor of supervised creative writing of any kind, but it’s important that you have an interest in, and enthusiasm for, the short story form. To get the most from the course, you should be prepared do some background reading, undertake writing tasks between sessions, read the work of others on the course prior to each session, offer tactful – yet frank – feedback, and receive constructive criticism on your own work. The course isn’t geared towards any particular sub-genre within the short story form – be it literary fiction, sci-fi, or horror – we’ll be looking at techniques applicable to all these genres.
What we won’t cover …
This isn’t a course devised to help you write a novel, a novella, poetry, micro-fiction, or biography – it’s all about the short story, which presents its own specific demands and opportunities to writers (for the avoidance of doubt, short stories typically weigh in at somewhere between 1500 and 8000 words long, for the purpose of this course we will be looking at stories up to 5,000 words long).
Equipment you’ll need …
Something to write with (pen and paper will do) during sessions, and a computer and internet access at home, to upload your work in progress to the online drop box, or email to the group. If you prefer to print out other people’s work to read prior to the sessions (rather than reading from a screen), you’ll need to do this at your own expense.
About the Tutor …
Rebecca Burns is short story writer and novelist. Her work has been published in over thirty online and print journals, and she has won or been placed in many competitions: Fowey Festival of Words and Music Short Story Competition, 2013 (winner and runner-up in 2014), Black Pear Press Short Story Competition (2014, winner), University of Sunderland Short Story Award (2016, longlisted), Evesham Festival Story Competition (2016, shortlisted) and Chipping Norton Short Story Award (2016, shortlisted).
Her debut collection of short stories, Catching the Barrmundi, was published by Odyssey Books in 2012 and was longlisted for the Edge Hill Award, the UK’s only prize for short story collections. Her second collection, The Settling Earth (2014) was also longlisted for the Edge Hill. Her third collection, Artefacts and Other Stories, was published in 2017. Her novel The Bishop’s Girl appeared in 2016 and her second novel, Beyond the Bay, was published in September this year.